I’ve just returned from five heady weeks in Tokyo, soaking up life back in the old metropolis, the place I lived for nearly half my life. Every year daughter and I go back to Japan, usually in the summer, every year we return with new and unique experiences, the only constant being the humidity and the constant murmur of cicadas, though this year there were several unseasonably cool spells amidst the swelter.
It’s wonderful to explore familiar locations, see old friends and family, but I also had a very busy schedule of preparation, culminating in a ten day solo exhibition at Space Yui in Aoyama, followed by another seven day show (currently still running as I write) at Yui Garden in Yokohama.
The front porch of Space Yui
No matter how many years go by my fascination with Tokyo remains undiminished, I try to be as busy as I can when we go back, it’s a city that demands purpose and direction. As I no longer live in Japan I find that without such direction and with daughter mostly staying with her grandparents I start to feel an emptiness, ponder too deeply on the past and other topics best left alone. No, move on, on, always onwards! Like the city itself, my relationship with Tokyo is constantly evolving, the journey continues.
Hanging day at Space Yui with gallery owner Hideyo Kimura
It’s On!
It’s been busy, inspiring and very encouraging. The exhibition, still on at Yui Garden, centres around original artwork from my recent picture book Stone Giant (Ishi no Kyojin in Japanese), from which visitors can order Neograph prints (giclée art prints overprinted with a fine silkscreen to prevent oxidation and deterioration of colour, rendering prints that are virtually indistinguishable from artwork). I also created several smaller pieces of original art specifically for the show.
Book of prints, and artwork from Stone Giant
Some of the smaller images created especially for the show
The Librarian
Wolves in the Forest
The gallery staff have been supportive beyond measure, Space Yui is a key part of my platform in Japan, the care and encouragement I receive there is inspiriting and progressive, all credit due to Kimura-san and her team.
Opening party, with Komine Shoten editor Tsuyoshi Yamagishi and author/illustrators Mitsuo Shinozaki, Eriko Ishikawa and Satoshi Kitamura
Opening party – with Togo Kasahara (Mikasa Shobo), designer Hiroyasu Murofushi (I & I Inc) and Takeshi Fujisaki
Opening party, with illustrator Satoshi Kitamura (background), Taiko Nakazawa (Ginza Gallery House), Tomoe Furuhashi and DJ Young Richard
The show at Space Yui began with a busy opening followed by a regular stream of visitors, I was quite overwhelmed by the large number of attendees. Signed copies of the Japanese edition of Stone Giant (Ishi no Kyojin) sold out within the first few days and had to be re-stocked by publisher Komine Shoten.
Signed copies of the Japanese edition Ishi no Kyojin
There were several highlight successes, the biggest being news of several competing offers for the Japanese rights to my next US book Crinkle, Crackle, Crack!. Written by Marion Dane Bauer (who also wrote the 2012 released Halloween Forest), the US edition is due for publication through Holiday House next year. I’ll post more about the Japanese edition when details have been confirmed.
With art director Susumu Yamada (Tokyo Planet Design)
With members of SCBWI Japan
With Emi Noguchi
With my daughter and photographer Hitoshi Iwakiri
The exhibition is now on at the fabulous new gallery Yui Garden in Nakamachidai, Yokohama. In a building created by and for an architect’s design office that overlooks Seseragi Park, the setting, interior and atmosphere is simply exquisite. If you’re in the area before it closes on the 8th please do drop by.
Entrance to Yui Garden
The show at Yui Garden
It’s been a wonderful summer. Many thanks to all the gallery staff and visitors to the exhibition!
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